As my internship enters the homestretch, I am moving to my second task for the year, mapping the roots of salsa music. The shift is bittersweet, as it means leaving my first project to live or die in someone else’s hands. The digital exhibit introducing the National Museum of the American Latino (NMAL) is packaged up and turned in, along with its supporting documentation. And that is where the real world enters the picture, as its fate rests with shifting timelines and priorities as to when it will be moved into being on the Google Arts and Culture site for NMAL.
The value of internships is the transition from studying theory and ideas, in this case on digital humanities, to a real-life perspective on how the digital humanities work in practice. To assert complete knowledge of the happenings of NMAL, or all the decisions, or concerns, would be foolish, however in not only the projects, but the conversations with the digital initiatives teams has provided a better view of the museum as a whole. Over the past year, and prior to that in graduate work, we have been introduced to ideas and theories, and people writing about practices and education and exhibit design. Assignments were developed, submitted and graded in the safe academic vacuum.
The process of creating a virtual exhibit for the “real world” linked the theory and the practice, including building the background documentation. Usage and copyright was very real and word smithing taught me a great deal about thinking through representing a large institution, as we worked through language and sought content and images that would best reflect the museum as it both grows and waits to learn its fate. The unexpected lesson of the internship is in how tenuous museum growth can be and a reminder of how resilient the people who are building them can be. Four years have passed since the House of Representatives passed legislation establishing NMAL. In that time, they have built a virtual museum, traveling exhibits and a gallery space at the National Museum of American History. Even as the legislation assigning a site to build on — and designating the site for the National Women’s Museum — did not make it to a vote in 2024, NMAL has acquired their first twenty-five artifacts for the permanent collection. Leveraging technology, iconic artifacts are being imaged in 3D, allowing on line visitors to explore objects in a detail.
Being a small part of a museum that is developing and expanding allowed a ground level view of how theory operates in the world and has added to the educational value. Isn’t it the unexpected learning that makes it all most fun?